{"response":{"docs":[{"id":"lru_tulane-goreau_12436708520006326","title":"LG032 Interviews: Marlene Miles; Gwen Lightner; Ella Fitzgerald","collection_id":"lru_tulane-goreau","collection_title":"Laurraine Goreau Interviews and Recordings","dcterms_contributor":null,"dcterms_spatial":["United States, 39.76, -98.5"],"dcterms_creator":["Goreau, Laurraine","Miles, Marlene","Fitzgerald, Ella","Lightner, Gwendolyn"],"dc_date":["1972-09-25"],"dcterms_description":["Side 1: Interview with Marlene Miles (secretary for Irving Townsend) of Columbia Records on 1972-09-25 in Los Angeles, California, conducted by telephone. Interview with Gwen Lightner on S. I. Hayakawa, on 1972-09-25, conducted by telephone. Side 2: Interview with Ella Fitzgerald on 1972-09-25, at her home in Los Angeles, California, conducted by telephone. Abstract for Fitzgerald: [00:00–11:44] On LG032Goreau_Side2, Ella Fitzgerald, speaking via phone from her Los Angeles home, recalls that she \"never really had that much conversation\" with Jackson. However, Fitzgerald does go on to describe Fitzgerald as someone who gave of herself unselfishly to help others, and mentioned an instance where Jackson asked her to participate in a benefit concert for unwed mothers. She also speaks glowingly of Jackson's legacy, and mentions attending Jackson's Chicago funeral.","This recording was digitized in 2017 by George Blood, LP.","For further information, please contact Tulane University Special Collections at specialcollections@tulane.edu."],"dc_format":["audio/mpeg"],"dcterms_identifier":null,"dcterms_language":["eng"],"dcterms_publisher":null,"dc_relation":null,"dc_right":["http://rightsstatements.org/vocab/CNE/1.0/"],"dcterms_is_part_of":["Hogan Archive of New Orleans Music and New Orleans Jazz, Tulane University Special Collections","Laurraine Goreau collection, HJA-059"],"dcterms_subject":null,"dcterms_title":["LG032 Interviews: Marlene Miles; Gwen Lightner; Ella Fitzgerald"],"dcterms_type":["Sound"],"dcterms_provenance":["Tulane University. Special Collections"],"edm_is_shown_by":null,"edm_is_shown_at":["https://tulane.alma.exlibrisgroup.com/discovery/delivery/01TUL_INST:Tulane/12436708520006326"],"dcterms_temporal":["1970/1979"],"dcterms_rights_holder":null,"dcterms_bibliographic_citation":["LG032 Interviews: Marlene Miles; Gwen Lightner; Ella Fitzgerald, Laurraine Goreau collection, HJA-059, Tulane University Special Collections, Howard-Tilton Memorial Library, Tulane University, New Orleans, LA."],"dlg_local_right":["Copyright to portions of this collection has been transferred to Tulane University Special Collections. Tulane University can grant permission to publish for materials to which it holds the copyright. It is the responsibility of the researcher to determine who holds the copyright and pursue the copyright owner or owner’s heir for permission to publish where Tulane University Special Collections does not hold the copyright. For permission to publish collections material to which TUSC holds intellectual property rights, please contact Research Services at specialcollections@tulane.edu."],"dcterms_medium":["interviews"],"dcterms_extent":["12 min., 2 sec.","31 min., 23 sec."],"dlg_subject_personal":["Fitzgerald, Ella","Miles, Marlene","Lightner, Gwendolyn","Jackson, Mahalia, 1911-1972"],"dcterms_subject_fast":null,"fulltext":null},{"id":"lru_tulane-goreau_12436729100006326","title":"LG034 Interviews: S.I. Hayakawa; Richard Yancey and Gwen Lightner","collection_id":"lru_tulane-goreau","collection_title":"Laurraine Goreau Interviews and Recordings","dcterms_contributor":null,"dcterms_spatial":["United States, Louisiana, Orleans County, New Orleans, 29.433, -89.73438"],"dcterms_creator":["Goreau, Laurraine","Yancey, Richard","Hayakawa, S. I. (Samuel Ichiyé), 1906-1992","Lightner, Gwendolyn"],"dc_date":["1972-09-25"],"dcterms_description":["Side 1: Interview with S. I. Hayakawa, Canadian-American scholar, politician, and jazz enthusiast, on 1972-09-25 at Goreau's room at a Holiday Inn, Hollywood, California. Side 2: Hayakawa interview continues. Interview with Gwen Lightner and Richard Yancey. Abstract for Hayakawa and Yancey: [00:00–45:50] On LG034Goreau_Side1, speaking from Hollywood, California on September 25, 1972, S. I. Hayakawa, scholar, politician, and jazz enthusiast, recalls his various interactions with Jackson over the course of his academic and political career. He recalls presenting Jackson, Thomas A. Dorsey, and the Angelic Gospel Trio at Mandel Hall at the University of Chicago in 1953 – 00:22, which prompts he and Goreau to debate the origins of gospel music – 03:33. They speak about the color barrier Jackson faced in the 1950s – 12:33, and Hayakawa recalls the sounds of New Orleans and its possible influence on Jackson's music – 16:20. He goes on to speak about the strike for an ethnic studies program at SF State, where he was president – 20:15. He recalls Jackson's support of his position against it, and the reaction of various proponents for it, including the Black Student Union and Black Panthers. Hayakawa continues, speaking about Jackson's presence and her appeal to working class audiences and international music scholars. LG034Goreau_Side2 continues with Hayakawa discussing his career as an academic and linguist and his annoyances with academic writing. [07:53-45:57] Richard Yancey provides an account of Jackson's concert at the Oakland Civic in 1967, which was framed by the Huey Newton trial and civil unrest at the time – 07:53. He also describes her concert at the Long Beach Arena in 1969. Gwen Lightner adds commentary. He goes on to speak about the impact of Martin Luther King's assassination on Jackson, and her actions at King's funeral – 16:11. He continues to talk about Jackson's various concerts and friendships, including Joe Mays, Theodore Frye, the March on Washington, and Minters Galloway.","This item contains language or content that may be harmful to some audiences at timestamps: 12:20; 18:12.","This recording was digitized in 2017 by George Blood, LP.","For further information, please contact Tulane University Special Collections at specialcollections@tulane.edu.","This item contains language or content that may be harmful to some audiences at timestamps: 19:36; 31:56; 32:09; 38:35."],"dc_format":["audio/mpeg"],"dcterms_identifier":null,"dcterms_language":["eng"],"dcterms_publisher":null,"dc_relation":null,"dc_right":["http://rightsstatements.org/vocab/CNE/1.0/"],"dcterms_is_part_of":["Hogan Archive of New Orleans Music and New Orleans Jazz, Tulane University Special Collections","Laurraine Goreau collection, HJA-059"],"dcterms_subject":["San Francisco State University","Black Panther Movement","Gospel music","Race relations","Civil rights demonstrations","Civil rights movements","Civil rights","Black people--Social conditions"],"dcterms_title":["LG034 Interviews: S.I. Hayakawa; Richard Yancey and Gwen Lightner"],"dcterms_type":["Sound"],"dcterms_provenance":["Tulane University. Special Collections"],"edm_is_shown_by":null,"edm_is_shown_at":["https://tulane.alma.exlibrisgroup.com/discovery/delivery/01TUL_INST:Tulane/12436729100006326"],"dcterms_temporal":["1970/1979","1950/1959"],"dcterms_rights_holder":null,"dcterms_bibliographic_citation":["LG034 Interviews: S.I. Hayakawa; Richard Yancey and Gwen Lightner, Laurraine Goreau collection, HJA-059, Tulane University Special Collections, Howard-Tilton Memorial Library, Tulane University, New Orleans, LA."],"dlg_local_right":["Copyright to portions of this collection has been transferred to Tulane University Special Collections. Tulane University can grant permission to publish for materials to which it holds the copyright. It is the responsibility of the researcher to determine who holds the copyright and pursue the copyright owner or owner’s heir for permission to publish where Tulane University Special Collections does not hold the copyright. For permission to publish collections material to which TUSC holds intellectual property rights, please contact Research Services at specialcollections@tulane.edu."],"dcterms_medium":["interviews"],"dcterms_extent":["45 min., 50 sec.","45 min., 57 sec."],"dlg_subject_personal":["King, Martin Luther, Jr., 1929-1968","Yancey, Richard","Lightner, Gwendolyn","Hayakawa, S. I. (Samuel Ichiyé), 1906-1992","Jackson, Mahalia, 1911-1972"],"dcterms_subject_fast":null,"fulltext":null},{"id":"lru_tulane-goreau_12436727690006326","title":"LG107 Interview: Gwen Lightner; Mary Ann Hooper","collection_id":"lru_tulane-goreau","collection_title":"Laurraine Goreau Interviews and Recordings","dcterms_contributor":null,"dcterms_spatial":["United States, 39.76, -98.5"],"dcterms_creator":["Goreau, Laurraine","Lightner, Gwendolyn","Hooper, Mary Ann"],"dc_date":["1972-09-22"],"dcterms_description":["Side 1: Interview with Gwen Lightner on 1972-09-22 in the Laurraine Goreau's hotel room, Los Angeles, California. Side 2: Interview with Mary Ann Hooper on 1972-09-22. Abstract for Lightner and Hooper: [00:00–28:52] Interview begins mid-interview with Gwen Lightner speaking about Jackson's fallout with producer Irving Townsend in 1969. Lightner speaks about Jackson's first husband, Ike, and their relationship after their divorce – 6:55. They go on to speak about Cylestine \"Polly\" Fletcher – 12:33 and Jackson's relationship with Boy Baby (son of Reverend John Thurston) – 21:08. They discuss the crowd draw at her last major concert in Montreal, and at her show \"Salute to Black Women\" at Lincoln Center, which included guests Mohammed Ali, Rosa Parks, and Coretta Scott King – 24:09. [00:00–28:49] LG107Goreau_Side2 begins mid-interview with Mary Ann Hooper speaking about the production of Jackson's 1968 benefit \"Festival of the Stars\" and the complications and changes that that entailed. She discusses the beginnings of their relationship, her impressions of Jackson, and why she chose to work with her. They have a candid discussion about Jackson's relationship with Minters Galloway and the unknown fact that she at one point drafted a will to leave her estate entirely to him – 12:05. They then discuss the production of \"Salute to Black Women\" – 18:09. Goreau reveals that she was motivated to write her biography to amend the biography \"Moving on Up,\" which she and Jackson believe portrayed her as a \"prejudiced person\" – 25:24. Questioning if Jackson read and approved the manuscript, Hooper and Goreau discuss Jackson's upbringing and lack of formal education – 27:09.","This recording was digitized in 2020 as part of a Recordings at Risk grant funded project administered by CLIR, \"Tell the real story of me\": Mahalia Jackson and Black Gospel Quartets in the South.","For further information, please contact Tulane University Special Collections at specialcollections@tulane.edu."],"dc_format":["audio/mpeg"],"dcterms_identifier":null,"dcterms_language":["eng"],"dcterms_publisher":null,"dc_relation":null,"dc_right":["http://rightsstatements.org/vocab/CNE/1.0/"],"dcterms_is_part_of":["Hogan Archive of New Orleans Music and New Orleans Jazz, Tulane University Special Collections","Laurraine Goreau collection, HJA-059"],"dcterms_subject":["Music trade"],"dcterms_title":["LG107 Interview: Gwen Lightner; Mary Ann Hooper"],"dcterms_type":["Sound"],"dcterms_provenance":["Tulane University. Special Collections"],"edm_is_shown_by":null,"edm_is_shown_at":["https://tulane.alma.exlibrisgroup.com/discovery/delivery/01TUL_INST:Tulane/12436727690006326"],"dcterms_temporal":["1960/1969"],"dcterms_rights_holder":null,"dcterms_bibliographic_citation":["LG107 Interview: Gwen Lightner; Mary Ann Hooper, Laurraine Goreau collection, HJA-059, Tulane University Special Collections, Howard-Tilton Memorial Library, Tulane University, New Orleans, LA."],"dlg_local_right":["Copyright to portions of this collection has been transferred to Tulane University Special Collections. Tulane University can grant permission to publish for materials to which it holds the copyright. It is the responsibility of the researcher to determine who holds the copyright and pursue the copyright owner or owner’s heir for permission to publish where Tulane University Special Collections does not hold the copyright. For permission to publish collections material to which TUSC holds intellectual property rights, please contact Research Services at specialcollections@tulane.edu."],"dcterms_medium":["interviews"],"dcterms_extent":["28 min., 52 sec.","28 min., 49 sec."],"dlg_subject_personal":["Fletcher, Cylestine","Lightner, Gwendolyn","Hooper, Mary Ann, 1944-","Jackson, Mahalia, 1911-1972","Townsend, Irving, 1920-1981","Hockenhull, Issac","Galloway, Minters S.","Goreau, Laurraine"],"dcterms_subject_fast":null,"fulltext":null},{"id":"lru_tulane-goreau_12436798410006326","title":"LG074 Interview: Gwen Lightner","collection_id":"lru_tulane-goreau","collection_title":"Laurraine Goreau Interviews and Recordings","dcterms_contributor":null,"dcterms_spatial":["Liberia, 5.7499721, -9.3658524","United States, New York, New York County, New York, 40.7142691, -74.0059729"],"dcterms_creator":["Goreau, Laurraine","Lightner, Gwendolyn"],"dc_date":["1972-09-21"],"dcterms_description":["Side 1 and 2: Interview with Gwen Lightner on 1972-09-21. Abstract for Lightner: [00:00–30:34] On LG074Goreau_Side1, in this September 1972 interview from Los Angeles, Gwen Lightner talks in detail about Mahalia Jackson's trip to Liberia in November 1970 for the celebration of President Tubman's 75th birthday. Lightner discusses the hair and clothing styles of African women which she describes as \"chic.\" She recalls attending a United Nations function in NYC where all the African attendees dressed in western style clothing and Americans looked out of place in African tribal attire – 2:23. Lightner reveals that Jackson was invited to Liberia by Steven Tolbert, Vice President of Liberia. She and Jackson were each presented with beautiful African dresses before their concert which they changed into during the intermission to the delight of the attendees – 4:51. Tolbert arranged to have Jackson perform as a surprise for Tubman who greatly admired her. After hearing her sing, Tubman expressed that she had \"thrilled his soul\" – 7:35. Lightner reveals that Jackson was given an award which was the highest honor bestowed in Liberia – 8:36. Jackson and Lightner were also showered with gifts including coins and jewelry – 10:11. Lightner describes Jackson's fascination with African dancing – 13:09. She also mentions watching a state funeral procession from the balcony where they were staying – 15:50. Lightner discusses the process of having a dress made while you stood and waited and recalls Jackson having about 12 dresses made while in Liberia – 22:21. The interview then shifts to a discussion about pianist James Lee who played on Jackson's first album. Lightner reveals that Jackson always looked out for him throughout his life and at one point had bought him a house and furniture – 25:26. [00:00-05:09] LG074Goreau_Side2 begins with Lightner and Goreau discussing Jackson's teeth and Lightner recalling an incident when Jackson lost a tooth during a performance. They spend the rest of the interview discussing photographs for use in Goreau's book.","This recording was digitized in 2020 as part of a Recordings at Risk grant funded project administered by CLIR, \"Tell the real story of me\": Mahalia Jackson and Black Gospel Quartets in the South.","For further information, please contact Tulane University Special Collections at specialcollections@tulane.edu."],"dc_format":["audio/mpeg"],"dcterms_identifier":null,"dcterms_language":["eng"],"dcterms_publisher":null,"dc_relation":null,"dc_right":["http://rightsstatements.org/vocab/CNE/1.0/"],"dcterms_is_part_of":["Hogan Archive of New Orleans Music and New Orleans Jazz, Tulane University Special Collections","Laurraine Goreau collection, HJA-059"],"dcterms_subject":["Music trade","Gospel music--Accompaniments","Clothing and dress","Manners and customs"],"dcterms_title":["LG074 Interview: Gwen Lightner"],"dcterms_type":["Sound"],"dcterms_provenance":["Tulane University. Special Collections"],"edm_is_shown_by":null,"edm_is_shown_at":["https://tulane.alma.exlibrisgroup.com/discovery/delivery/01TUL_INST:Tulane/12436798410006326"],"dcterms_temporal":["1970/1979"],"dcterms_rights_holder":null,"dcterms_bibliographic_citation":["LG074 Interview: Gwen Lightner, Laurraine Goreau collection, HJA-059, Tulane University Special Collections, Howard-Tilton Memorial Library, Tulane University, New Orleans, LA."],"dlg_local_right":["Copyright to portions of this collection has been transferred to Tulane University Special Collections. Tulane University can grant permission to publish for materials to which it holds the copyright. It is the responsibility of the researcher to determine who holds the copyright and pursue the copyright owner or owner’s heir for permission to publish where Tulane University Special Collections does not hold the copyright. For permission to publish collections material to which TUSC holds intellectual property rights, please contact Research Services at specialcollections@tulane.edu."],"dcterms_medium":["interviews"],"dcterms_extent":["30 min., 34 sec.","5 min., 9 sec."],"dlg_subject_personal":["Lee, James","Lightner, Gwendolyn","Jackson, Mahalia, 1911-1972"],"dcterms_subject_fast":null,"fulltext":null},{"id":"lru_tulane-goreau_12436738340006326","title":"LG055 Interview: Gwen Lightner","collection_id":"lru_tulane-goreau","collection_title":"Laurraine Goreau Interviews and Recordings","dcterms_contributor":null,"dcterms_spatial":["United States, California, Los Angeles County, Los Angeles, 34.05223, -118.24368","United States, Illinois, Cook County, Chicago, 41.85003, -87.65005"],"dcterms_creator":["Goreau, Laurraine","Lightner, Gwendolyn"],"dc_date":["1972-09-19"],"dcterms_description":["Side 1 and 2: Interview with Gwen Lightner on 1972-09-19 in Los Angeles. Abstract for Lightner: [00:00–30:43] Pianist Gwen Lightner, speaking from Los Angeles, California on September 19, 1972, describes when she first arrived in Chicago and met composer and songwriter Emma L. Jackson – 2:19. Lightner discusses the time she spent working at Emma's studio. Lightner describes meeting Mahalia when the singer was working at a Chicago beauty shop, where Mahalia spent time with composer Emma L. Jackson – 6:18. She shares that it was Emma L. Jackson, not Thomas Dorsey, who wrote \"Precious Lord\" and that Dorsey credited Emma Jackson as the writer when he spoke at a convention in Pittsburgh, PA – 8:18. Lightner and Goreau discuss Mahalia's talent as a beautician and her husband Ike and Mahalia's early singing engagements at storefront churches. Lightner describes the first time she played piano for Mahalia when the regular accompanist was unavailable – 12:57. Lightner speaks of Mahalia's psychic experiences and visions – 18:57; how birds symbolized death to her – 24:00; and her fear of dying in Germany – 28:58. [00:00 - 30:42] The interview continues on LG055Goreau_Side2 with Lightner discussing the development of Mahalia Jackson's first recording sessions in Los Angeles and the assembling of Jackson's studio backing group. Lightner and Goreau go on to discuss several of Mahalia's romantic relationships. Lightner mentions Jackson's concern regarding the safety of her money earnings and fear that people were interested in her only for her money – 19:02. Lightner reiterates how she met Mahalia as a teenager in Chicago and relates a story of how Mahalia was \"discovered\" – 21:54.","This recording was digitized in 2020 as part of a Recordings at Risk grant funded project administered by CLIR, \"Tell the real story of me\": Mahalia Jackson and Black Gospel Quartets in the South.","For further information, please contact Tulane University Special Collections at specialcollections@tulane.edu."],"dc_format":["audio/mpeg"],"dcterms_identifier":null,"dcterms_language":["eng"],"dcterms_publisher":null,"dc_relation":null,"dc_right":["http://rightsstatements.org/vocab/CNE/1.0/"],"dcterms_is_part_of":["Hogan Archive of New Orleans Music and New Orleans Jazz, Tulane University Special Collections","Laurraine Goreau collection, HJA-059"],"dcterms_subject":["Gospel music--Accompaniments","Church music","Extrasensory perception"],"dcterms_title":["LG055 Interview: Gwen Lightner"],"dcterms_type":["Sound"],"dcterms_provenance":["Tulane University. 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